help me connect with a children's book agent and/or editor
Janie Reinart over at GROG posted about creating our personal mission statement. This exercise seems like it could be a bit "woo-woo" but that couldn't be further from the truth. Following our path starts from knowing where we want to go.
Here is my mission statement: to write stories that help children understand the world and their place in it, to exemplify a supportive, professional perspective, and to provide leadership and connection within the children’s literature community.
It's a little wordy but it works for me.
If you don't have a personal mission statement YET, take a couple of minutes to read Janine's post. Create your statement. Then post it on GROG and here, too. Okay? That makes it real.
Remember, we can change our mission statements as our perspective changes. And it's not graded or judged. This work is all for you.
Go on a mission. Yours.
I follow agent Jessica Sinsheimer on Twitter and she offered this great behind-the-agent- curtain look at why (most) agents don't give feedback (very often). (Parentheses are my own. Some agents do give feedback and some give it occasionally, but I certainly understand the spirit of Jessica's thread.)
Disclaimers: Settle in. This will take a bit to read but it's important for understanding the industry so it's worth it. And, forgive the wonky formatting.
Jessica Sinsheimer @jsinsheim Ravenous reader, lazy gourmet, literary agent + cheese-obsessed human. Co-creator of #PubTalkTV, #MSWL, Manuscript Wish List® + http://ManuscriptAcademy.com/welcome
New York, NY
Joined April 2011
Jessica Sinsheimer @jsinsheim
So it's very common for writers to ask why agents don't give feedback. The answer, usually, is that we're busy--but that's hard to grasp on a concrete level. Today, the lovely and talented @BenFaulknerEd mentioned reading tons, and out of curiosity, I did the math to compare.
I recently found Tim Fargo on Twitter and appreciate that almost all the quotes he shares resonate with me. This one by Abe spoke to an issue that rumbles around in the picture book creating community: how to move your manuscript from "it's good" to "I'm taking this to acquisition."
Even though (or maybe because) we are living in what some industry experts call a golden age of picture books, competition for space on publishers' lists is fierce. We've seen a rise in sales, a corresponding rise in publisher interest, and deeper conversations about picture books as an important form of literature. All of these factors have contributed to more submissions in the pipeline.
So how do we make our manuscripts stand out?
Moving a manuscript from good to sold takes a lot of axe sharpening.
First, we have to start with an effective manuscript (carefully considered, fresh in concept, revised with a critique group as far as you think is possible).
Then, the real work begins.
Sharpen: if you don't have an agent or even if you do, consider paying for a critique from an industry expert who sells or publishes what you write.
[If you need help finding an editorial resource or agent, reach out.]
Sharpen further: try the suggested revision even if you don't think it will work and/or improve the manuscript. Copy the manuscript into a new file called, "It will never work" and just try it. Do NOT dig in your heels at this stage thinking you've already done enough work on this manuscript. The revision that moves the work to acquisition might be next! Transparency alert: this stage is my cryptonite. I certainly recognize the value and I do it, but I start out looking like Grumpy Cat's identical twin.
Sharpen even futher: read the manuscript to a new crop of target audience members. I'm not talking about your writer friends, your family, or your trusted beta readers. (What?! You aren't reading the manuscript to your target audience? Gong!) Notice where their sweet little eyes wander (ooops, need a revision there!) and where their happy little faces engage (huzzah!)
Sharpen even furtherest: compare your latest version to the published book(s) closest in feel, theme, style, etc. to what you want your published book to be. (What?!? You haven't looked for comp titles? Gong!) Really dissect that comp title. Type it out in pages, study it, tape yourself reading it aloud and listen to it. Where do you engage? Lose interest? Revise accordingly.
Is your axe as sharp as it can possibly be? If so, your manuscript might be ready to submit.
[If you need help, let me know.]
Feel free to share other sharpening techniques, too. We all learn from each other.
Is it a good idea to begin a brand new blog with a first post that's a Debbie Downer?
Maybe it isn't really a downer but more of a poke in the gut.
I'll go with the latter. It's good to know what we are up against when we are facing challenges. And for most people, finding your agent (or editor) fit is a challenge.
Therefore, here's a lighthearted but realistic post by TV writer and novelist, Ken Pisani, about trying to find his agent. Hope you at least crack a smile.
above image courtesy of James Baker https://bestreviewsbase.com/
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